Vic Mensa – “The Autobiography” review

Almost 2 months after releasing his 2nd EP The Manuscript, SAVEMONEY leader Vic Mensa is finally releasing his full-length debut. The album kicks off with “Didn’t I (Say I Didn’t)”, where he’s passionately & gratefully talking about making it to the top over a beautiful Darondo sample as well as a semi-funky guitar. The next track “Memories on 47th St.” pretty much speaks for itself, as Vic’s vividly reflecting about the rough days of living in his home block over a murky beat. The song “Rollin’ Like a Stoner” originally appeared as the 3rd track off of The Manuscript, but it still sounds like a knockoff of “Pursuit of Happiness” by KiD CuDi in every aspect. And on top of that, I don’t really care for Vic’s delivery. Especially when the hook comes around. The track “Homewrecker” with Weezer sees Vic pretty much blaming himself for breaking up with his ex-girlfriend & he even recalls a couple fights that they’ve had with each other over a somber rap rock instrumental. The song “Gorgeous” then talks about Vic wanting to be with 2 different women instead of 1 over a Daft Punk-inspired instrumental & as much as I love Syd, I found her feature on here to be just ok. The track “Heaven on Earth” is a dedication to his murdered friend Cam & I absolutely love how Vic writes the 2nd & 3rd verse from the perspectives of both Cam & his murderer respectively. The production has an eerie atmosphere to it & The-Dream’s hook sounded like it was sung by an angel. After a 70 second skit, we are then treated to the next song on the track listing “Down for Some Ignorance (Ghetto Lullaby)”. Here, both Vic & Chief Keef speak on Chicago street violence over a creepy-sounding beat from the ever so underrated Mike Dean. The next song “Coffee & Cigarettes” sings then later raps about the first girl to break Vic’s heart over a electric guitar passage, but then transitions into some piano keys along with some decent drums. The track “Wings” expresses Vic’s desires to get away from all the drama in his life & the beat from Pharrell will just make you wanna start bouncing. The next song is pretty much The-Dream reprising “Heaven on Earth” by himself for 2 minutes, but with completely different lyrics & a different instrumental. It’s ok. The track “The Fire Next Time” talks about overcoming dark times & the production from No I.D. has this down-tuned electric guitar throughout that sounds pretty cool. The closer “We Could Be Free” talks about us being slaves of our own pain over a somber guitar, but then it adds an ambitious atmosphere near the end. As for the Ty$ feature, I didn’t think his vocals during the outro were gonna be as beautiful as they were. We then get 2 bonus tracks “OMG” & “Rage”, both of which also appeared on The Manuscript & sound a lot better than “Rollin’ Like a Stoner” did. While this obviously isn’t better than INNANETAPE, it was still worth the long wait. The lyrics are immensely personal & while there are a couple duds in the track listing, the production fits the vibes of these personal stories well for the most part. If any of you were like me & thought his last couple EPs were alright, then give this thing a listen because it really does live up to it’s title

Score: 3.5/5

JAY-Z – “4:44” review

Almost 4 years after the disappointingly mediocre Magna Carta…Holy Grail, renown Brooklyn rapper & businessman JAY-Z is finally delivering his 13th album & he has enlisted No I.D. to produce it in it’s entirety. The opener “Kill JAY-Z” talks about killing his ego over a soulful instrumental & it even addresses his Throne cohort Kanye West’s stage rants from last November. Despite calling him insane, he does assure Ye that he does feel bad for him. The next song “The Story of O.J.” sees JAY getting conscious over some piano keys & a sample of “4 Women” by Nina Simone. Matter of fact, Jigga actually makes a PERFECT reference to the original Nina Simone song during the hook. The track “Smile” talks about pushing through the pain & while I don’t care for the drums at all, the Stevie Wonder sample is nice & I love the background vocals too. Also, the outro from his mother Gloria (whom JAY publicly announces & supports for being a lesbian near the end of the first verse) was endearing. The song “Caught Their Eyes” talks about watching your surroundings over an instrumental with a tropical vibe to it & the Frank Ocean hook isn’t as great as his hook on “Oceans” was, I still liked it. The title track is a sincerely delivered apology to Jigga’s wife Beyoncé & the soul sample on here enhances the remorse that JAY is letting out. Despite the song “Family Feud” being said to be about the recent beef between older & younger hip hop artists, it could possibly refer more to his wife almost leaving him for cheating on her (especially with the line at the beginning of the 3rd verse about telling Becky to let him alone). Also, Beyoncé’s background vocals that can be heard throughout the entire track are just beautiful. The track “Bam” has a braggadocious tone to it lyrically & while I do enjoy the horns as well as the hook from Damian Marley, that one line Rae Sremmurd & Bobby Shmurda at the beginning of the 2nd verse is really corny. However, he does make an interesting reference to “30 Hours” off of Kanye’s latest album The Life of Pablo shortly after. Plus, there’s no denying that the IG pictures line during the first verse couldn’t be any more true The song “Moonlight” is a message to all the new rappers & I absolutely LOVE the “Fu-Gee-La” sample on here. The penultimate track “Marcy Me” is a dedication to the streets delivered over a soothing instrumental, but I thought the reference to “Unbelievable” by Biggie during the intro was just ok. Same goes with the outro from The-Dream. The album then closes out with “Legacy”, where his daughter Blue Ivy asks him what a will is & he responds by talking about his family’s workmanship over some jazzy horns. If any of you were disappointed with Magna Carta…Holy Grail as much as I was, then I can tell right now that this is A LOT better. No I.D.’s production is soul sample galore & lyrically, it could very well be his most personal effort yet. It’s pretty much the male equivalent to Beyoncé’s latest album Lemonade, except I’ll go as far to say that it’s better

Score: 4/5