After cleverly promoting it for the past month or so with the fake-drug ads, renown Detroit hip hop superstar Eminem is finally giving fans with his 9th full-length album. The opener “Walk on Water” vents about the struggles he’s had for the best decade or so over a gospel like-piano instrumental from Rick Rubin. The song “Believe” pretty much asks the listeners if they would turn their backs on him over a piano & some awkward snares. The flow is pretty uninteresting as well.
The track “Chloraspetic” gets braggadocious about his rapping prowess over a trap beat from mR. pOrTeR, but the parts where he bites Migos flow is absolutely embarrassing. The song “Untouchable” intelligently talks about racial injustice, but the production on here was just ok & it didn’t need to be 6 minutes long. And on top of that, the “white boy white boy, you’re a rock star” hook is God awful. However, the second half of this is much better than the rap rock-tinged first half. The track “River” talks about a failing relationship over a guitar & after an unnecessary skit preluding the next song “Remind Me”, we get the actual song & it’s sickeningly lovey dovey. Especially with the cheesy “I Love Rock & Roll” sample that’s used throughout a bulk of the track & the corny ass lines like “Your booty is heavy duty like diarrhea” & “you’re smoking like Snoop Dogg”.
After the “Revival” interlude, we then go into the next song “Like Home”. Here, Eminem is dissing Donald Trump over an uplifting instrumental & the Alicia Keys hook is just ok. The track “Bad Husband” is an open apology letter to Em’s ex-wife Kim Mathers over a somber beat & the X Ambasadors hook is mediocre. The track “Tragic Endings” sees Em being pushed around by a manipulative lover over an abrasive beat & while “Framed” goes back to his horrorcore roots with an eerie beat, the hook is annoying.
The song “Nowhere Fast” gets reflective about the younger days over string-induced trap beat & the Kehlani hook doesn’t help at all. The track “Heat” talks about this chick who he thinks is as vile as his RELAPSƎ album from 2009 & the beat is almost the same as “So Far…” off his last album The Marshall Mathers LP 2. The song “Offended” takes a jab at all the naysayers & while the verses & the beat aren’t too bad, the interpolation of “The Knife Game Song” is drab. The track “Need Me” feels more like a P!nk song than an Eminem song given that Em only appears at the end & almost as unbearably sappy as “Revenge” off of P!nk’s latest album Beautiful Drama.
The song “In Your Head” talks about his famous alter ego Slim Shady & The Cranberries sample actually works well. The penultimate track “Castle” sees Em writing 3 different letters to his daughter Hailie in 1995, 1996 & 2007 respectively & it’s absolutely touching. The closer “Arose” talks about his overdose in 2008 & his output since then over an ambitious instrumental, but he literally “rewinds it” to the final verse from the previous song “Castle” during the last minute & a half & it ruins the vibe.
Overall, this is Eminem’s worst album yet. He still has it lyrically, but he needs better features. He needs better production. He needs to stop making some tracks drag on longer than they should’ve. I really had hope that this would be a consistently great album, but I‘m gonna have to accept that poppy Eminem is here to stay forever